ANTEA FINALMENTE TI HO TROVATA!
Antea Finalmente Ti Ho Trovata is a series of photographic collages that recontextualize classical art within a digital and post-internet visual language. Inspired by iconic works by Parmigianino, Luca Giordano, and Dirk Hendricksz, the series explores themes of memory, identity, and the fractured legacy of beauty through time.
Each work dismantles and reassembles revered paintings using digital collage, evoking glitches, transparency layers, and nostalgic interfaces. Historical figures—once immortalized in oil—emerge through digital erosion and chromatic overlays, suspended between sacredness and spectacle.
This series pays homage not only to art history but also to the cultural forces that have altered its perception: war, technology, digitization, and myth. The title work references the recovery of Parmigianino’s Antea after WWII by Italian agent Rodolfo Siviero, blending reverence with a bold contemporary gesture.
Antea Finalmente Ti Ho Trovata, 2021
Photographic collage printed on ChromaLuxe aluminum
Limited edition
Dimensions available upon request
"A contemporary reawakening of Parmigianino's Antea, this work layers the original painting with pixelated erasures and digital interfaces. The clouds and Alps symbolize both the painting's wartime disappearance and its passage through time, as Antea escapes her gilded frame to reclaim agency across history."
Photographic collage printed on ChromaLuxe aluminum
Limited edition
Dimensions available upon request
"A contemporary reawakening of Parmigianino's Antea, this work layers the original painting with pixelated erasures and digital interfaces. The clouds and Alps symbolize both the painting's wartime disappearance and its passage through time, as Antea escapes her gilded frame to reclaim agency across history."
Sancte Michael Archangele, Defende Nos in Proelio, 2021
Photographic collage printed on ChromaLuxe aluminum
Limited edition
Dimensions available upon request
Limited edition
Dimensions available upon request
“Sancte Michael Archangele, Defende Nos in Proelio” is a modern re-elaboration of Luca Giordano’s baroque artwork “San Michele Arcangelo” painted around 1663. In the re-elaboration, old and modern elements blend highlighting the eternal and universal battle between good and evil, between light and darkness, a battle that is characterized by the biblical symbolism of Michael the Archangel, which finds a new dimension enriched by the battle against online criminal activity, such as cyber bullyism."
Gamut, 2021
Photographic collage printed on ChromaLuxe aluminum
Limited edition
Dimensions available upon request
Based on Dirk Hendricksz's 'Madonna della Purità,' this piece dissects spiritual purity and feminine identity.
Original "Madonna della Purità", Dirk Hendricksz 1574 -1606
Photographic collage printed on ChromaLuxe aluminum
Limited edition
Dimensions available upon request
Based on Dirk Hendricksz's 'Madonna della Purità,' this piece dissects spiritual purity and feminine identity.
Original "Madonna della Purità", Dirk Hendricksz 1574 -1606
Lucrezia, 2021
Photographic collage printed on ChromaLuxe aluminum
Limited edition
Dimensions available upon request
"A tribute to Lucrezia, the Roman noblewoman who was raped—an act of violence that led her to take her own life.
Photographic collage printed on ChromaLuxe aluminum
Limited edition
Dimensions available upon request
"A tribute to Lucrezia, the Roman noblewoman who was raped—an act of violence that led her to take her own life.
Her story, silenced by history, becomes a mirror for the trauma and injustice many survivors still face today.
Reimagined in a digital void, Lucrezia is both endangered and defiant. Her classical beauty is fractured, her presence suspended between rebellion and resignation.
Because rape does not only kill the body.
It kills from the inside out. "
Original "Lucrezia ” Francesco Mazzola, Parmigianino, 1540It kills from the inside out. "
Inferno.exe
Photographic collage
Limited edition
Dimensions available upon request
A reimagining of Dante and Virgil in Hell by William-Adolphe Bouguereau (1850), this work casts Dante and Virgil not as literary figures, but as timeless observers. They watch — powerless — as violence repeats.
The cycle is endless.
Men are trapped in ritualized destruction while the barbed wire of history, war, and power tightens.
It is not divine judgment that punishes them, but systems designed by men, for domination.
Men are trapped in ritualized destruction while the barbed wire of history, war, and power tightens.
It is not divine judgment that punishes them, but systems designed by men, for domination.
Inferno.exe is a frozen hell — cold, calculated, and engineered. The same story, again and again.
The innocent suffer. The guilty decide.
The innocent suffer. The guilty decide.
